dblive Joakim

May 27, 2011

The music you’re about to listen to represents the essence of one of the coolest parties to take place in São Paulo. The Green Sunset party, aka the MIS (Museu da Imagem e do Som) party, takes place once a month in the garden of the foresaid museum located in the Jardins district. It’s a get-together of music-loving, young people and DJs who share a common interest: partying. Music styles include Soul, Disco, Funk, and several other genres combined so as to please an audience as diversified as possible.

On the 14th of this month, French DJ Joakim Bouaziz was the party´s main attraction, and granted his audience a marvelous music selection which you can exclusively listen to here, at deepbeep. Joakim went far beyond the modern, danceable Krautrock style represented by some of his tracks (such as “Lonely Hearts”) and provided the audience with a genuinely novel curatorship combining both old and new dancing tunes. It was so cool to the point of arousing envy among people. And, what’s most important, in such a way that no clubberly bustle could take place, neither an eager for 4×4 tempos, or any kind of obnoxious loop/blip-adoration.

It was quite stimulating to listen to the first part of his set featuring an electro-pop tune by Metronomy mixed with Carly Simon’s “Why?” (an 80’s classic he had twitted as his all-time favorite). Swinging to a lengthy remix of “Just An Illusion” (Imagination) and improvising dancesteps to the insane edit of “Tougher than the Rest”, by Bruce Springsteen – these were some of the most memorable moments propitiated by Joakim with his unexpected, well-humored house music set.

Joakim at the Green Sunset party @ MIS (SP)

Throughout Joakim’s performance, one could go back in time and feel the flare of well-known Pop tunes originated from the rearrangement of bits and pieces taken from alternative, underground music (especially in its most danceable breed). Many of the tracks featured in his set have been produced way before we were born; tunes that stand out for their timeless universality, such as the beautiful “50 ways to leave your lover”, by Paul Simon. Not long ago, British musician Floating Points made his way in quite the same direction, when he performed at another MIS party (except for the fact that his was a rather techno drive).

Listening to Joakim’s set reminded me of the Educational Sets section in deepbeep, in which Tim Sweeney talks about the occasion when he performed a Rockabilly set intended to “educate” his audience. Those who keep track of the ever-changing process of electronic music are aware that the so-called vintage trend goes way beyond any ephemeral vague. It’s rather, on the contrary, a search for the origins of a style which is lively and abstract at the same time. Thus, the funky edit entitled “Wicky Wack” (46:00) – in which a James Brown vocal sample is combined with a phat bassline – proves to be more than sufficient to realize that electronic music goes far beyond what’s being done in House music; indeed, it’s a proof that “electronic” is nothing but a trendy, momentous concept, and that danceable, rhythmic music is all that matters.


Green Sunset Party by Rafael Henri


Remarkable was also the way Joakim managed to musically narrate us a story in the second part of his set. Skies were the limit away as you listened to his soulful combination of Donna Summer’s “Last Dance” and Fern Kinney’s “Love Me Tonight” – two disco divas he had the ability to approximate as castanets sounded by. Besides, various Deep House specialties among which a track refraining the word “Africa”, were joyfully performed by Joakim. Not to mention a Spanish-sung Disco hit accompanied by a phat bassline that caused you to feel shivers up and down your spine. It was finally delightful to listen to some alternative rock tunes tailored in an 80’s, obscure minimalistic Wave fashion. And then there was the magnificent duet between “Stuck in the Middle with You” and Paul McCartney’s “Let’em in” – which provided Joakim’s set with a magical, remarkable, Cinema-like atmosphere that goes way beyond any genre definition.

This multi-referenced “return to the origins” propitiated by Joakim’s set offered Paulistanos an opportunity enjoy the public spaces offered to them by their own city. No more of the club-ticket dictatorship! Paulistanos want to dance to daylight – be it in squares, parks, streets – wherever – no matter if there’s rain or sun. As for this issue, worth mentioning is the fact that many other events besides the Green Sunset party are currently going on in São Paulo: music, cinema, arts and several other forms of cultural expression being considered. All of which contribute for the Paulistanos to deeply experience what this harsh metropolis has to offer. Would the year of 2011 be the anticipation of an unforeseen summer of love and dance? Maybe so. Or perhaps this is nothing but a passionate lucubration of mine, as inspired by the memorable moments Joakim provided me with. When there’s good music going on, as it is the case here, our spirits and minds can go far. And our bodies rock accordingly. Enjoy!

dblive Joakim (part 1 and 2)
Recorded live at the Green Sunset party at MIS (Museu da Imagem e do Som), May 14th, 2010.
Text: Jade Gola
Translation: Rodrigo Inácio
Photos: Filipe Ramos, Juliana Knobel e Rafael Henri
Credits: Marcos Guzman
Sponsorship: Passport Scotch
Collaboration: Consulado Geral da França SP
Support: Puma
Realization: MIS – Museu de Imagem e Som de SP
Governo de São Paulo

listen to part 1

listen to part 2


Leave a reply

deepbeep © 2009-2012 Browse the full version in portuguese